![]() In this post video editor and Apple instructor Clay Gasbury shows us how to correct underexposed shots by using a combination of composite modes and color correction filters. One of the main issues I see with footage is shots that are much too overexposed or underexposed. ![]() I usually correct nearly every shot that makes it into a final project. Shooting conditions are never perfect, and therefore neither is footage. If you want to see how different filters effect a video image, look no further. Oliver uses the tools built in FCP, as well as several third party color correction filters and plugins. Oliver Peters over at DigitalFilms hits another one out of the park with his thorough look at different Final Cut Pro color grading effects. Know the intricacies of the 3-Way Color Corrector filter and how you can use it to get great results from within Final Cut Pro.Įxamples, examples, examples. Get all the details (and we mean ALL) about color correcting in Final Cut Pro, straight from the pages of the FCP User Manual. Apple Official Color Correction Documentation DigitalMediaNet shows how using a chip chart on set will help to get the most accurate white balance using the Final Cut Pro color corrector.ħ. Using a Chip Chart to Get True Black & WhiteĪlthough the Final Cut Pro color corrector has the function to approximate the white and black balance in post, it is important to have “true white” and “true black” represented in your image to get the most accurate result. ![]() There’s some really great tips here for using color to set tone and feel, as well as how to make your picture pop!Ħ. See exactly how the filter settings effect the video image. 30 Second Color Correction Tips in FCPĪrtbeats has put together a really detailed before and after demonstration, showing how you can use the 3-way color corrector to achieve desired effects in Final Cut Pro. Learn how to match colors between shots to make the look of your video project consistent.įor those more inclined to read, in this post video editing professional and Final Cut Pro guru Larry Jordan gives an explanation of how to quickly white balance your footage using Final Cut Pro’s 3-Way color corrector.ĥ. Often times, different cameras can produce different color balances and hues. In this video tutorial, you’ll see how to effectively white balance your footage inside Final Cut Pro. Highlights of the article include keeping footage broadcast legal, lift / gamma / gain functions, using vignettes, and third party color correcting tools that integrate within FCP (like Magic Bullet’s Colorista - see review below). If you’re looking for a more in-depth look at color correcting in Final Cut Pro check out this comprehensive post at DigitalFilms. Although the 3-Way color corrector has fairly basic functionality, learning how to use it effectively will allow you to accomplish most of your essential color work from within FCP. In this video over at Creative Cow, Rich gives you the rundown of how to use the 3-Way Color Corrector - Final Cut Pro’s built-in color grading tool. Rich Harrington is THE man when it comes to great training for production software. Rich Harrington’s 3 Way Color Corrector Rundown In this post we’ve rounded up some of the best Final Cut Pro color correction tutorials to give you useful techniques for color grading and correcting your projects from within the application. ![]()
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